Since I've reviewed Oppenheimer I might as well go the whole hog and review the other biggest summer blockbuster, Barbie.
I would say that, overall, the movie was much better and way more entertaining than a toy franchise movie has any right to be. Greta Gerwig and Noah Baumbach managed to make quite a lot out of what they'd been given to work with. It's hard to praise the acting especially because the material was so light, but I did Ryan Gosling's performance as Ken to be particularly funny, almost as if he was sending himself up. The design and production values were outstanding.
Nor am I bothered by the accusations that the movie is woke. I consider myself woke, and proud of it (I find that the people who use it as a derogatory term can never agree on what it means). So the image accompanying this blog reflects that.
One of my problems is that it falls between two stools. Yes women have it hard, yes we live in a patriarchal world, and kudos to the movie for conveying that message in mainstream entertainment. The problem is that, since the movie is a crowd please, it has to pull its punches regarding men; there's nothing wrong with them, in fact they are really nice. This blunts the message. The movie could have been a bit edgier in that respect, even at the risk of making Piers Morgan even more angry (which would be a good thing, especially if it caused him health complications).
And, of course, the reason the movie has to be a crowd please is that in the end, not withstanding Gerwig's and Baumbach's own enlightened views and their inventive powers, the move is still, first and foremost, a product placement movie. Therein lies the real problem.
A review of "Poor Things"
I wasn't quite as blown away by Oppenheimer as I expected.
Artist Derek Hill's house in Co. Donegal still has the stamp of its late owner.
Lissadell House, in County Sligo, is rich in artistic, literary and historical associations.
Apart from the fact that I have been drawing and painting for as long (and probably longer) than I can remember, I have come to realize that there are other reasons why it comes more naturally to me than playing a musical instrument in particular. Only a few years ago, in my late 50s, I was diagnosed with ADHD.
I have, at various times, entertained notions of myself as a writer, a musician, a biologist and a lawyer, but the one activity that I was drawn to for as long as I can remember, going back into childhood, was drawing. My earliest memories include frequently asking my mother if she would let me draw, and she would find me paper and a pencil to do so. I suppose it kept me quiet.
The other half of Barbenheimer
Since I've reviewed Oppenheimer I might as well go the whole hog and review the other biggest summer blockbuster, Barbie.
I would say that, overall, the movie was much better and way more entertaining than a toy franchise movie has any right to be. Greta Gerwig and Noah Baumbach managed to make quite a lot out of what they'd been given to work with. It's hard to praise the acting especially because the material was so light, but I did Ryan Gosling's performance as Ken to be particularly funny, almost as if he was sending himself up. The design and production values were outstanding.
Nor am I bothered by the accusations that the movie is woke. I consider myself woke, and proud of it (I find that the people who use it as a derogatory term can never agree on what it means). So the image accompanying this blog reflects that.
One of my problems is that it falls between two stools. Yes women have it hard, yes we live in a patriarchal world, and kudos to the movie for conveying that message in mainstream entertainment. The problem is that, since the movie is a crowd please, it has to pull its punches regarding men; there's nothing wrong with them, in fact they are really nice. This blunts the message. The movie could have been a bit edgier in that respect, even at the risk of making Piers Morgan even more angry (which would be a good thing, especially if it caused him health complications).
And, of course, the reason the movie has to be a crowd please is that in the end, not withstanding Gerwig's and Baumbach's own enlightened views and their inventive powers, the move is still, first and foremost, a product placement movie. Therein lies the real problem.